Art As Activism

Understanding must give way to action.

When working in Israel someone told me that if you ask two Israeli’s the problems of Israel, you will get three answers. In Congo, it seems that joke holds even more truth. The complexity and minutia that one can uncover when digging into the mining, politics, wars, economy of Congo would require many many films to try to explore. This makes it very hard for anyone to agree on the central issues of Congo, or where to begin when talking about righting the ship of Congo.

For the past two weeks, I’ve had the pleasure of meeting, dining, interviewing, and drinking with a host of respected names in Congo politics, academia, and journalism- many of them have been my key sources of information as I’ve researched Congo. And the two key points which everyone seems to agree on are – 1) The atrocities that have taken place in Congo since Leopold are a blight on human history that should NEVER have happened, and 2) the resources of Congo have been have always been the significant thread in the narrative of Congo tragedies.

Where people begin to disagree is in HOW and WHY. And in the exploration of the “How and Why”is where things begin to sound very, dare I say, intellectual. Anyone who knows what I do, knows how important I consider providing intellectual understanding to any situation – it is essential to informing the appropriate action to take, but just as there is a risk on avoiding intellectual arguments and focusing solely on the emotional call to action – so is there a risk in believing that understanding IS THE action.

Here is what we do know:

-It is estimated that during King Leopold’s rule over Congo almost half the population (approx. 10,000,000 people) perished – while Leopold made a King’s fortune off the Ivory and Rubber of Congo.

-In 1960 when Congo elected it first President, Patrice Lumumba, western forces had him killed, as they saw him a threat and replaced him with a brutal dictator – Mobutu as to protect their resource interests from Communist threats.

- Mobutu plundered his country for billions of dollars, leaving the people in dire poverty with little to no infrastructure -all the while receiving hundreds of millions of dollars in aid and unconditional support from the West.

-Since 1996, when Laurent Kabila began his march across Congo (Zaire at the time) his AFDL army, supported by Rwanda and Uganda, who in turn were supported by the US, began massacring people at staggering rates. Yet the US gave him full support and western Multinational Companies met him on his march to begin signing mining contracts worth billions of dollars.

-Since the AFDL march until now, 16 years, Rwandan and Ugandan forces have been active in Eastern Congo. They have looted millions of dollars of minerals, and the resulting wars/conflicts have cost almost 6 million lives.

-The current President, Joseph Kabila, has sold off mining rights at an estimated 5.6 billion dollars undervalue to BVI companies, (shell companies that exist nowhere other than paper) which have in turn flipped those purchases to huge multinational companies (Glencore for example) for windfall profits. Because they are BVI companies, no one can tell who exactly is making these profits, but most are associated with Israeli businessman Dan Gertler, a very close friend of the President. And although the WB and IMF called for greater transparency in the Congo mining contracts – these organizations continue to give millions of dollars to Congo – while it is ranked the least developed country in the World.

Even if this was all there was to know, wouldn’t that be enough to act? It is important to have experts and academics to study the minutia of such tragedies as Congo – but it is dangerous to mistake such work as the objective. Understanding Nazi Germany is nowhere near as important as STOPPING Nazi Germany. History will not judge us on how much we knew about the situation in Congo – but what we did about it. And the more we “understand” about Congo, while doing so little – the more we all become complicit with the tragedies of Congo and our IN-Action becomes just as significant a thread in the narrative of Congo as the immoral actions we’re working so hard to understand.

-Mike

Act by engaging with The Conflict Minerals Project on Facebook and tweeting me with the #CMP hashtag on Twitter.

Bright Colors

5.21.12

 

Many years ago a tattoo artist gave me the brilliant insight that to make a tattoo appear more bright, you don’t add more bright colors, you add dark colors. His point being that when colors are of the same shade there is no reference point, no juxtaposition to what could be. So a yellow only becomes a “bright” yellow when referenced against black, brown, etc.

This is also true of storytelling. In this film, exploring the tragedies of Congo – if I choose to show only the tragedies, and there are plenty - then the significance is lost. For the greatest tragedy of Congo, and the human species, is not just the atrocity we inflict upon each other – but the infinite potential we fail to realize every time we do so.

 

Last night I spent the entire evening in the glory of one of these potentialities – at a concert of PAPA WEMBA the Congolese Rumba star. For 4 hours he and his entourage of musicians, back up singers, and dancers changed a dingy corner bar into a place of magic, with incredible sounds, colors, and dancing... oh the dancing.

 

It is when measured against this magic that the true tragedy of Congo and the human race is understood. How long will we continue to squander our



brightest potentiality with grabs of greed, power, and disdain for our fellow man – when instead we could be dancing? How long until the lesser angels of man are diminished to the thin dark line whose greatest purpose is a reference point to remind us how damn bright we are? I don't know how long, but I hope soon. Papa Wemba mentioned he is getting tired.

-Mike

How I Met the DRC

#CMP, Congo, Conflict Minerals

A little more than three years ago, I began looking for my next project. My previous film THE ANATOMY OF HATE: A DIALOGUE TO HOPE had finished its run on the festival circuit, had secured distribution, and was touring approximately 20 universities a semester. It was a good run, I was proud, but it was time to start on something new.

A project for me must meet a few specific criteria: 1) Any project Under the Hood Productions takes on must fit my business model of promoting Understanding, Hope, and Action, 2) It must be something that will keep me moving in 5thgear for the 5+ years it will take to make the film, and 3) It must be something I can get funded. At about this time, I received an email from a dear friend Alvaro Ybarra Zavala, a world renowned Conflict Photographer. He had just finished an assignment working with a rebel leader named Laurent Nkunda in a place called the Democratic Republic of Congo. I was familiar with neither. He sent me some of his photos, and told me his stories – and like most, my reaction was, “This is still happening on planet earth?”

Not that I am naive to war, nor the brutal capabilities of our species, but it is hard to reconcile 6 million dead and hundreds of thousands of women raped in a country where there is only a few hundred miles of paved roads. These mass casualties didn’t happen by way of bombing campaigns and misplaced drone attacks. In Congo, if someone is killed – it’s because someone chose to kill them. Which means that choice has been made 6 million times and counting.

Soon after my conversation with Alvaro I was introduced to a small (but mighty) anti-genocide organization JEWISH WORLD WATCH. They were traveling to DRC to look for projects to fund and asked for me to come along to take photos and make some webisodes. I’m not much for religion, but when the Universe starts lining up in these ways, I pay attention.

It’s impossible to describe crossing the border for the first time into Congo – at least in the brevity of a blog - but here is the description I gave in a piece I wrote for JWW: The roads in Congo are reminiscent of a river-bed, long ago dried – replaced by lava flow and red clay cut through the world’s largest post-apocalyptic homeless shelter, where the only things which have survived are Chinese motorcycles and goats.

With our small group we traveled Goma and Bukavu, meeting with tremendous people doing incredible work in very awful conditions. And of course we met with survivors of violent attacks. One was a young girl of maybe 16 who had been taken hostage by a rebel group and raped daily for many weeks. She was 6 months pregnant. As a bit of a back story, two weeks before my trip – my third child MICHAEL JAMES RAMSDELL died in the womb at 6 months. It was a painful experience, but no one killed him, no one wished him dead – he simply died. And now here I was, standing in front of a teenage girl with a child six-months in womb, who had already endured more horror than most of us can fathom.

I did not know at that point what a film could do for this young lady, or any one else in Congo, but I did know there was no walking away from this. There was no walking away from her. There was no walking away from what the Universe, and maybe even Michael James were telling me: Get your ass in the game.

And so I have.

-Mike

You can too. Follow my trip and the making of The Conflict Minerals Project on Facebook and Tweet me using the hashtag #CMP

Film of the Year nomination - Documentary Channel

I'm humbled (and pleased) to report that The Anatomy of Hate: a Dialogue for Hope was nominated for 'Film of the Year' by the Documentary Channel. Thank you to everyone who supported us by voting for the film.

TEDxBermuda - Mike Ramsdell

See Mike Ramsdell speaking at TED Talks in Bermuda.

 

You are here: Art & Activism Blog